Constantine, the final film in our Comic Book film spotlight, is adapted from the comic book “Hellblazer”. The protagonist, John Constantine spun out of the pages of “Swamp Thing” due to his popularity and has been going strong ever since. The series, while on the fringe of the DC comic book universe, grew in popularity under the Vertigo label. Once the movie was a reality, the studio needed to differentiate “Hellblazer” from the horror film franchise Hellraiser, and thus Constantine was born. Read the rest of this entry
So…this is my first one of these. Big thanks to Monnie for alerting me to his awesome site, and to Mike for bringing me into the fold. Hope you enjoy it.
Con artists have always fascinated cinema. After all, what is the vast audience always ready for in a serious film? The twist ending! (Did you hear the alternate ending to Terminator Salvation? But back to the topic at hand.) One of my favorite directors has a particular interest in confidence games: David Mamet. The famous playwright (“Glengarry Glen Ross”) has a slew of films under both his writing and directing belts, and a good number deal with hustlers: House of Games, The Spanish Prisoner, and his most recent, Redbelt.